A Radio Format That Cuts Songs In Half

Here's a trend that's either great or horrible, depending upon how you look at it. A few years ago a new radio format appeared with the main purpose of fitting more songs per hour onto the playlist.

How's that done? By editing the songs so they're about 1/2 to 2/3rds their normal release length.

The format is called Quickhitz and its slogan is "twice the music in half the time." It promises to play 24 song per hour as a result.

Some examples include:

Lorde, “Team,” 1:52 (vs. 3:32) 

Clean Bandit, “Never Be,” 2:23 (vs. 3:45) 

Magic!, “Don’t Kill The Magic,” 2:13 (vs. 3:39) 

Iggy Azalea, “Fancy,” 2:07 (vs. 3:16)

JRDN, “Can’t Choose,” 2:20 (vs. 3:57) 

Sam Smith, “Stay With Me,” 2:02 (vs. 2:53)

Marianas Trench, “Pop Music 101,” 2:11 (vs. 4:07)

Zedd. “Clarity,” 2:00 (vs. 3:56)

The format hasn't exactly caught on, and where it's been implemented there's been substantial backlash, although mostly from artists on the playlist and not the public.

If you're an artist you can look at this format two ways - If there are more slots on the playlist, there's more chance for new music to find a place, or, "You're messing with my art by editing it."

As for the latter, that might not be a great argument since radio has had specially edited songs for 50 years to fit in the format.

So while you may not hear Quickhitz on one of your local radio tomorrow, the next time you do hear a station that seems to be playing more songs than normal, you know what you're listening to.

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Is Smooth Jazz Dead?

For a while there in 1990s and early 2000s "smooth jazz" was front and center in radio stations in every major city across the country. Many former rock stations switch to the smooth jazz format in an effort to boost ratings, and for a while it worked.

That trend has drastically changed however, and we might have seen the last of the format for a while, at least on radio.

Stations that featured smooth jazz have seen their ratings plummet recently, causing most to bolt to another format to attract more advertisers.

But why? One theory is that smooth jazz stations struggled to attract younger listeners, which is the most desirable demographic for advertisers. Still, there seemed to be plenty of listeners in the almost-as-desirable 25-54 age demo.

Which means that the demise of the radio format may in fact be due to bad data supplied by Nielsen, who's the dominant ratings provider for both radio and television. The idea is that people were still listening, but they weren't being counted due to being in the wrong demographic.

I'm not a proponent or listener of the smooth jazz format, but the lesson here is that if it happens to one format, it can happen to others as well. Having listeners doesn't equal having the right kind of listeners for many advertisers, and by extension the station groups that own the radio stations. No wonder radio content is worst than ever. Thank you very much Madison Avenue.

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Most Music Discovery Still Comes From Radio

While we're increasingly living in a streaming world, radio is still our go-to source when it comes to discovering new music, according to the latest study from Nielsen Music. 51% of Americans still discover most of the new music they listen to via radio, even though on-demand streaming increased by a whopping 54% last year to over 164 billion streams.

The study also found that 243 million people age 12 and over tune into radio every week, which is 91% of the population within the top 250 markets. Of that, 23% listen in the car, while 16% listen to the radio at work.

What are the top radio formats? No surprises here, according tot he survey.

1. Pop Contemporary Hits Radio (CHR) - 12.3%
2. Country - 9.8%
3. Hot Adult Contemporary (AC) - 7.1%
4. Rhythmic Contemporary Hit Radio - 6.7%
5. Adult Contemporary - 5.9%
6. Urban Contemporary - 5.8%
7. Mexican Regional - 5.2%
8. Alternative - 5.0%
9. Classic Rock - 3.9%
10. News Talk Information  - 3.5%

Of these 10 formats, Country Music grew the most significantly in the first half of last year, especially for listeners in the 18 to 34 age group.

It appears that radio is very music like the music business in that its demise is consistently predicted, yet it never seems to go away. Just like the music business, it continues to evolve and roll with the times.

Who Buys The Most Music? Top 40 Listeners

There's a new study conducted by The Media Audit that reveals what most of us already thought to be true; Top 40 radio listeners purchase the most music. The study looked at the habits of 41 million users across 81 markets and found the following:

• 42.8% of Top 40 listeners frequently purchase CDs or downloads
• 27.7% of all US consumers frequently purchase music (who would've thought it would be that high?)
• 39.2% - Urban listeners
• 38.3% - Hot AC (adult contemporary)
• 36.4% - Rock
• 34.1% - Urban AC
• 33.2% - Sports
• 32.7% - Public Radio
• 31.5% - Classic Rock
• 30.4% - AC

Frequent purchases are defined as having purchased a CD or download within the last four weeks.

To break it down even further:

• 49% are female
• 46.6% are between the ages of 25 to 44
• 67% are between the ages of 18 to 44

And finally, in a figure that should be no surprise at all, frequent music buyers are more likely to have a college degree and have a higher income, with the average household income being $76,739.

The bottom line, there's still a lot of music being purchased, it's just not making its way back to the artists and songwriters.

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