Showing posts with label Justin Bieber. Show all posts
Showing posts with label Justin Bieber. Show all posts

Friday, November 13, 2015

Guess The Music Celeb Dropping His Album Via Lyft

Bieber Takes A Ride image
Music celebrities will use just about any social edge they can get these days, and it doesn't matter what the platform is.

In May I posted about Britney Spears using Uber to launch her "Pretty Girls" single, complete with a vehicle wrapped in custom Britney graphics.

Not to be outdone, Justin Bieber is making his new album available for early purchase via the Lyft app. Fans can purchase it for $5 from November 12th to 19th. If you buy it via the app, you get the download link at the end of the ride and a $5 credit towards your next Lyft ride (which makes the album essentially free).

And that's not all, the Biebs is also surprising random people by showing up as a passenger in the front seat of some of their rides.

Okay, so this might seem a bit over the top, but it just goes to show how hard even the top 0.1% of music celebs work at keeping in the social forefront and staying in the public eye.

If A-list acts like Justin Bieber and Britney Spears are using all the tools at their disposal, it shows the need to keep up with the latest in social media to make sure that you continue to reach your audience.

Thursday, January 23, 2014

Justin Bieber: A Career Cautionary Career Tale

Justin Bieber image from Bobby Owsinski's Music 3.0 blog
By now most adults are sick of hearing about the shenanigans of teen star Justin Bieber, who’s managed to stay in the news lately for all the wrong reasons. From wild visits to strip clubs to recklessly driving his Ferrari to egging his neighbors house to police raids on his mansion, the Biebs has been front and center on the gossip pages of tabloids and blog sites everywhere.

While Bieber might consider his behavior as a simple ascension into manhood (most adult males have had their share of teenage “events” that they would rather forget), it seems that he’s failed to consider what it’s doing to his career along the way. Yes, he’s doing a great job of crushing it into tiny pieces, as the putrid box office take of around $6 million of his recent film Believe shows. Considering that his last film Never Say Never grossed about $73 million in the US alone just two years ago, and he’s released a series of recent songs that never even charted, it looks like his career has hit the skids seemingly overnight.

Maybe he thinks that morphing into a bad boy will keep his maturing audience interested. Maybe he’s rebelling against the wishes of his family and management (and what kid doesn’t rail against authority). Maybe he’s just totally unaware that his actions have consequences. None of that matters. What he’s managed to do is take an enormous following and make them indifferent at best and disgusted at worst. Before too long, he’ll be a has-been trying to make a buck playing the oldies club circuit.

And that’s the cautionary tale here. Fans are hard to come by. They, of course, have to love your music first and foremost, but they also have to identify with you in some way, which is one of the basic pillars of branding. You or your actions (or both) also have to be likeable, which few of his once legion of fans find these days. Once you’ve broken your brand, it’s a huge uphill battle to build it back up, as Bieber will soon find out. Read more on Forbes.
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Check out my Big Picture blog for discussion on common music, engineering and production tips and tricks.

Monday, April 15, 2013

Stars And Their Fake Twitter Fans

From the very beginning of the Internet being used for music promotion, artists have been trying to game it in order to gain an advantage. For some, it's a marketing advantage, for others it's an attempt to get noticed, but whether it's fake MySpace followers, fake website hits, fake Facebook Likes, or fake YouTube views, it's still fake. Now comes a Fake Follower chart from Status People that shows just how many fake Twitter followers even the biggest pop stars have.


As you can see from the chart, the worst offender is Justin Bieber, with about 45% of his followers classified as fakes. A "fake" follower classified as one who has less than one follower and has never tweeted themselves. Even President Obama has a fair amount of fake followers (for shame, Mr. President).

What the chart does prove is that Lady Gaga still has the most legit followers, with about 19 million of her nearly 36 million deemed real. That's still a huge amount of followers by any measurement.

According to Mashable, anyone can buy Twitter followers for about $1,000, but unless you're trying to impress your friends, it's probably a waste of money. Building your following organically is still the best way to promote yourself online. Always has, and always will be.

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You should follow me on Twitter for daily news and updates on production and the music business.

Check out my Big Picture blog for discussion on common music, engineering and production tips and tricks.

Monday, November 26, 2012

Why "Gagnam Style" Is The Most Viewed Video Of All Time

Psy "Gangnam Style" image from Bobby Owsinski's Music 3.0 blog
It was reported over the weekend that Psy's "Gangnam Style" video had surpassed Justin Bieber's "Baby" for the most viewed ever online with over 806 million views. Think of that - 800 million views! There's been a lot of analysis as to why "Gangnam Style" became the video sensation that it is, from humor to explosions to kids to sexy girls to the dance (all true), but I have another take on it from a more macro perspective.
  • There's a bigger online audience: The world is much more connected than any other time in history. As a result, there's a bigger potential audience for a phenomena like "Gangnam Style." You'll see this viewing record broken the next time a similar sensation takes place.
  • He came from a different part of the world: Most huge trends like this tend to start in the US, but in this case, the US was only icing on the cake. With Psy being Korean, "Gangnam Style" broke out from the East and headed West, rather than the other way around. It was already huge by the time North America got hip to it, but what put it over the top was..........
  • Exploitation: The fact that Scooter Braun, Justin Bieber's manager, got involved sent Psy and "Gangnam Style" to another level. All of a sudden, Psy was on every television show you could think of, from Saturday Night Live to the MTV Video Music Awards to the Today show to name just a few. With these appearances, he jumped generations from K-Pop (Korean Pop) to seniors dancing to it at the local rec center. As with most artists, management is still the key.
After another single or two you may never hear from Psy again as he goes the way of the Macerana, but you can be sure that you'll see something like this again probably sooner than later.

By the way, "Gangnam Style" also holds another distinction. It has the most likes of any video with more than 2 million. Beiber's "Baby" comes in 3rd following the 1.6 likes of LMFAO's "Party Rock Anthem."
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You should follow me on Twitter for daily news and updates on production and the music business.

Check out my Big Picture blog for discussion on common music, engineering and production tips and tricks.

Thursday, September 13, 2012

It's True, The Music Business Is Not About The Art

Line Outside Club image from Bobby Owsinski's Music 3.0 blog
Last week the entire music portion of the blogosphere seemed to be lit up by the following statement from Universal Music Group CEO Lucian Grainge when talking about Justin Bieber:

The company likes hits, the fans like hits, and that's what he's there to do--make hits. 
We're not in the art business.

Why this statement should be any surprise to anyone I'm not sure. First of all, except for the label pioneers of the 50s, 60s, and 70s like Motown's Berry Gordy, Warner Bros' Mo Ostin, and Elektra's Jac Holzman (among a few others), this has been the label mantra for at least 30 years since the majors were bought out by the international conglomerates. Why should it be any different today?

Here's the bottom line if you're an artist or band and want label interest: a label doesn't care how good or bad your music is, they only care if you have an audience.

Good and bad is so subjective anyway. What's great to one person may be crap to another and vice versa. Most record companies only care if you have a line around the block waiting to see you. Really when you get down to it, that's all that counts.

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You should follow me on Twitter for daily news and updates on production and the music business.

Check out my Big Picture blog for discussion on common music, engineering and production tips and tricks.

Sunday, July 15, 2012

Women Singers Dominate Highest Paid Under 30

Taylor Swift Speak Now cover image from Bobby Owsinski's Music 3.0 blog
Forbes has recently posted their highest paid entertainers under 30 list, and it's probably no surprise that so many women make up the list. The interesting thing is that so many of them are singers. Here's how much person on the list made in the last year.

1. Taylor Swift - $57 million. Her concerts now bring in about a million a night.

2.  Justin Bieber - $55 million. He's also a venture capitalist, with investments in Spotify, Stamped and Tinychat.

3. Rihanna - $53 million. She gets big money from endorsements and sponsorships.

4. Lady Gaga - $52 million. But down from $90 mil last year.

5. Katy Perry - $45 million. Still hot even though her film bombed.

6. Adele - $35 million. 21 is still on the charts and going strong.

7. Kristen Stewart - $34.5 million. Film stars still do make money.

8. Lil Wayne - $27 million. The bulk of his income comes from live shows, earning about $600k per.

9. Taylor Lautner - $26.5 million. Twilight was bigger than we thought.

10. Robert Pattinson - $26.5 million. Again, Twilight was far bigger than we thought.

It should be no surprise that the audience for most of those on the list was teen and pre-teenage girls. What is a surprise is how much spendable cash they have.

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You should follow me on Twitter for daily news and updates on production and the music business.

Check out my Big Picture blog for discussion on common music, engineering and production tips and tricks.




Tuesday, March 6, 2012

The First Socially Made Superstar

superstar graphic from Music 3.0 blog
It's time for another excerpt from Music 3.0: A Survival Guide For Making Music In The Internet Age. This time it's about how social media can not only make someone a star, but a superstar.

The first socially-made superstar was actually Justin Bieber, and before you recoil in horror (I know you Bieber-haters are out there), remember that this isn't an endorsement of his music, it's about how he and a number of others did it in the new age we live in - Music 3.0.
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"To many Justin Bieber is just another example of a short-on-substance teen idol, but if you forget about the artist and look at how he was discovered and how his career was built, you’ll find the perfect example of how social media can work in in a big way in Music 3.0.

Justin Bieber was the first artist made by YouTube. He was discovered there, and has prospered there almost more than any artist other than Lady Gaga. In fact, Bieber’s song “Baby” had more than 500 million views alone and all of his videos together equal more than 1.5 billion total views (which is  number one of all musical artists) as of the writing of this book.

His career began when he was captured on a cellphone video as he was busking outside the Avon Theatre in Stratford, Ontario (population 32,000) hoping to get noticed, a moment that has since been shared some 3.2 million times on YouTube. In just a little over 9 months, Bieber went from playing to 40 people at an outdoor water park in Poughkeepsie to headlining 86 sold out arena shows in 2010, all this while moving over 10 million albums worldwide over 14 months, opening his first movie on 3,000-plus screens with box-office earnings that topped $20 million, and inspiring hundreds of licensed merchandise items.

More than that, Bieber is one of the first artists to use social media to achieve superstardom, utilizing all forms of social media to capitalize on his success with over 9 million Twitter followers and 25 million Facebook fans. In fact, he is #1 in the top 100 Twitters and accounts for about 3% of all Twitter traffic as of the writing of this book in Spring 2011.

Bieber is not the only M3.0 superstar to fully utilize social media though; Lady Gaga, Eminem, Rhianna, Shikira, Katy Perry, Linken Park, L’ll Wayne, Taylor Swift and Akon all have 20+ million Facebook fans according to Famecount.com. Lady Gaga, Shakira, Katy Perry, Britney Spears, Taylor Swift, and Selena Gomez all have more than 5 million Twitter followers. All of the these stars have more than 100 million YouTube views, with several over or near a billion.

It’s a fact that the superstar of today cannot reach that stage illustrious stage without a large social media presence. While Twitter and Facebook strengthen the connection with the fan, YouTube acts not only as a the major music delivery system, but now plays a huge part in music discovery as well. Even though superstars have the resources to better craft a message and media campaign than a new act just starting out, social media is essential to artists at all levels in order to prosper."
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Some of the numbers above aren't up to date since the book was written 6 months ago, but the numbers don't matter as much as the concept (they're still enormous). The point is that social media does indeed make it possible to go from a nobody to a superstar in a matter of months under the right circumstances. As you can see, it's been done.

To read additional excerpts from this and my other books, go to bobbyowsinski.com.

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You should follow me on Twitter for daily news and updates on production and the music business.

Check out my Big Picture blog for discussion on common music, engineering and production tips and tricks.

Monday, December 28, 2009

11 Interesting Moments For The Music Industry In 2009


2009 was filled with numerous interesting moments for the music industry as Music 3.0 kicked into high gear. Here are some significant events from last year, in no particular order:

1) Social Media - 2009 became the year that everyone in the music business - from label execs to artists - realized the true value of social media and began to work it hard.

2) Twitter - This was the year that Twitter became a real force in the artist's social networking toolbox as artists large and small in stature reached out to their audiences. While acts like Coldplay and Pearl Jam kept it business-like, artists like John Mayer stayed personal enough to the point where you felt like you knew him. And Justin Bieber even caused a riot by an errant Tweet from his label.

3) Concert Attendance Takes A Hit - Long thought to be immune from financial downturns, attendance dropped everywhere in the concert business as even major artists played to less than sold-out audiences. Concert promoter LiveNation even offered "No Service Charge Wednesdays" and tickets for as low as $5 to get meat in the seats.

4) Virgin Music Closes - Even though they were still profitable, music retailer Virgin Music closed it's last 6 stores, discovering that the real estate was more valuable than the merchandise inside.

5) iTunes Variable Pricing - Apple acquiesces to the major labels and institutes 3 tiered pricing. Industry pundits battle, profit increases but sales drop. Who wins?

6) Box Sets Get Innovative - Major artists take Trent Reznor's lead and release box sets, with one more elaborate than the next. AC/DC even packages their merch inside a working amplifier (see side graphic).

7) Subscription Nears The Turning Point - With the subscription service Spotify gearing up to launch in the US in 2010, the industry gets the feeling that the public is finally ready to embrace subscription music. Is the feeling unfounded? We'll know shortly.

8) Apple Buys LaLa - In what may be a precursor to an iTunes subscription service, Apple purchases the hybrid service LaLa.

9) Music Games Slump - After dominating the game scene and becoming an unexpected income source to labels and artists alike, the music game business took a sales hit as new versions of Rock Band (even by The Beatles) and Guitar Hero struggled.

10) Secondary Ticketing Exposed - The long time practice of reselling held-back concert tickets through scalpers finally came to light, with major artists like Bruce Springsteen and Bon Jovi (among others) taking big hits to their reputations. No wonder you can only get the best seats from scalpers.

11) CD Sales Come Back A Little - In December, CD sales come back like it's 2005 as multiple artists sell in the 100,000's per week. Susan Boyle comes out of nowhere to sell nearly 3 million in a month, closely followed by Andrea Bocelli.

It was an interesting year. Let's hope 2010 is just as interesting.

Sunday, November 29, 2009

Justin Bieber and Tweet Fever



Who says Twitter doesn't reach your fans? Everyone found out how powerful Twitter really is a couple of Friday's ago as popular 15 year old pop star Justin Bieber's tween fans caused a near-riot at Long Island’s Roosevelt Field Mall while waiting in line for autographs. The Canadian singer was promoting his new album My World at the clothing store Justice.

So what does that have to do with Twitter?


Kids and their parents began lining up at 9 a.m. hoping to receive a yellow bracelet that would allow them to meet Bieber, but trouble started a couple of hours before the 4 o'clock event as the crowd got restless. The scene caused Bieber to tweet: "They are not allowing me to come into the mall. if you dont leave I and my fans will be arrested as the police just told us. The event at roosevelt mall is cancelled. please go home… I dont want anyone hurt."

But Jim Roppo, the IDJ label’s senior VP of sales, eventually was arrested after he allegedly sent out Internet messages to over 3,000 fans that Bieber was still signing autographs even after police dispersed the crowd.

In the wake of the incident, Island Records issued a statement: "Over 10,000 screaming fans showed up and the police and fire marshal concluded it was an unsafe environment and prohibited the event from taking place."

But Roppo spent the night in the cooler and could face charges that include reckless endangerment, criminal nuisance, obstruction of governmental administration and endangering the welfare of children because he didn't tweet that the appearance was cancelled.

Which all seems to point to the fact that Tweeting is a pretty good way to reach fans, but never leave crowd control in the hands of a salesman.

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