Showing posts with label music marketing ideas. Show all posts
Showing posts with label music marketing ideas. Show all posts

Wednesday, November 21, 2012

The Top 10 Lists

Top 10 Lists image from Bobby Owsinski's Music 3.0 blog
Happy Thanksgiving to all those of you who celebrate it. I'm going to use today to look backwards a little at some of the lists that I've posted over the last year. There's a lot more than I was aware of, so determining the top 10 was next to impossible, so here are simply 10 lists that I liked from the past year.

The 6 Top Earning Dead Musicians In 2012

5 Ways To Take The Pulse Of Your Fans

Check D's 5 Tips For Music Industry Survival

3 Common Mistakes Made By Independent Musicians

The 3 Pillars Of A Successful Brand

8 Reasons For A Bad Band Picture

7 Tips For A Great Newsletter

10 Great Music Marketing Ideas

7 Tips From The Advertising Giants

13 Questions To Ask About Your Publishing Contract

Considering that I do about 260 posts a year, there are probably another 20 or so that could've been included in this list, and perhaps you'll see some more during the upcoming Christmas holiday. In the meantime, enjoy these, and email me with your favorite.

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You should follow me on Twitter for daily news and updates on production and the music business.

Check out my Big Picture blog for discussion on common music, engineering and production tips and tricks.

Thursday, May 19, 2011

Ways To Get People To Remember Your Band

There was a great post by Chris "Seth" Jackson on howtorunaband.com the other day and I thought I'd run a version of it. The original post was called "No One Will Remember Your Band: 10 Ways To Stop Being Forgettable," and most of the ways pointed out in the article were dead easy and don't cost much at all. Here are the ones I like.

1. Large Banner On Stage - Displaying your band’s logo prominently while you’re playing has to be the number one way for everyone to know who you are. At any point during your set, people will immediately see who you are.

2. Something Free For Everyone - Have something with your logo and website that you can give to everyone at that show. Stickers are always good for this, but it could also be EPs or a small piece of artwork. The point is to get your band’s name into everyone’s brain.

3. Large Logo On The Merch Booth - In addition to hocking your wares, your merch booth has a secondary role for branding. A well designed (and well lit) logo above your merch advertises your band’s name for the entire night. Even those that didn’t see your set will still see your band’s name.

4. Posters - Posters are just cool. I rarely see bands with posters. I sometimes grab fliers for a show and hang on my wall. A cool poster lives a long life well past your show.

5. Logo On The Kick Drum - Put your logo on the kick drum. In addition to a banner, the kick drum is usually visible during your entire set.

7. Beer Coasters - If you’re playing a bar, create some cool beer coasters and give them to the bar. Your band’s name will be underneath everyone’s drink all night long. Maybe all month long.

8. Matches - Everyone smoker forgets their lighter. Give ‘em a nifty band branded set of matches.

For the full list, go to "No One Will Remember Your Band: 10 Ways To Stop Being Forgettable."
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You should follow me on Twitter for daily news and updates on production and the music business.


Check out my Big Picture blog for daily discussion of music, recording, and production tips and tricks.

Sunday, April 3, 2011

The Music 3.0 Week In Review

Here are the posts from the last week of Music 3.0: The Blog Behind The Book.

Record Labels Claim They Lost $75 Trillion To Piracy.
When asked to estimate the damages they incurred in their suit against file-sharing service Limewire, the major record labels claimed they lost $400 billion (with a "B") on the low end, to $75 trillion (with a "T") on the high end. Read More...

10 Great Music Marketing Ideas
Here are 10 music marketing ideas from the Music 3.0 Internet Music guidebook. It’s easier to sell your music if you add extra value to it, so it helps to think outside the box when it comes to distributing your music. Read More...


Amazon Is First To The Digital Locker. So What?
Today Amazon announced a digital music locker service that enables users to upload and stream their music on multiple devices...  Read More...


The Best Time To Tweet
If you're using social media for promotion, then the timing of when you do it is critical. Read More...



How "Friday" Proves That Payola Still Exists
What's confusing is that the 60 million views have turned into just 12 radio plays so far. Read More...

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You should follow me on Twitter for daily news and updates on production and the music business.

Check out my Big Picture blog for discussion on common music, engineering and production tips and tricks.

Monday, March 14, 2011

The Marketing Of DeadClubs

I always love marketing ideas that find a product niche where there wasn't one before, where you hit yourself in the head and say, "Why didn't I think of that?" Well, here's a good one, and it's called "DeadClubs."

DeadClubs.com is a site that offers new T-shirts from popular clubs from around the country that have long been closed. It's a great idea because enough people remember those clubs that whenever anyone shows up with a seemingly vintage T-shirt in prime condition, it always sparks interest. It's an automatic conversation starter.

DeadClubs.com is a work obviously in progress, as many of the other aspects of it such as "Dead Vinyl" and "Dead Air" aren't populated yet, but you can see where they're going with it. I bet this becomes a thriving little business in no time.

So if you're an artist or band, how can you use a similar idea? How about a T-shirt connecting your band at a show at a revered but long gone local club (make sure you get permission first, though)? How about a tour T-shirt at all the favorite dead clubs (maybe you can ask DeadClubs for help)? Why stop at venues. How about an association with old radio stations, record stores, pizza parlors, etc. (again, it's important to ask for permission first)?

The idea is to have something other than a normal artist or band T-shirt; one that strikes some extra interest or controversy. Anything that starts up a conversation with your name in it is the goal.
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You should follow me on Twitter for daily news and updates on production and the music business.

Check out my Big Picture blog for discussion on common music, engineering and production tips and tricks.

Wednesday, September 15, 2010

Your Music Is Your Marketing

It's about time for another excerpt from the Music 3.0 Internet music guidebook. Here's a bit from Chapter 4 about how your music has now become your marketing.

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The major marketing tool for the M30 artist is the music itself. It’s no longer the major product that the artist has to sell, although it still is a product, so has to be used differently and thought of differently as a result.
Perhaps recorded music was never the product we were led to believe it was. In the M1.0 and M1.5 days of vinyl records and CDs, the round plastic piece (the container that held the music) was the product. The artist never made money when a song was played on the radio (the songwriter always did, although the artist might soon get their due depending on the status of current legislation), and the artist only made a small percentage (10 to 15% of wholesale on average) of CD or vinyl sales. The artist made the most money on concert tickets and merchandise while touring.  There was a cost involved in the manufacturing of the the container that transported the music (physical material costs, artwork, etc.) that had to be recouped as well as the production costs of the music. But if you look at music in terms of the advertising world, you see music in a different light.
If you’re selling a soap product for instance, the production for a commercial to broadcast on television or the radio is a trivial cost. It’s the total ad buy (the agency purchasing the radio or television time for the sponsor) where most money is spent.  Even then, it’s considered part of the marketing budget of the product, which might be about 3% of total sales.
In M30, if you consider the music production costs as part of the marketing budget in the same way as a national product, it takes on a whole new meaning.
Since the music is considered the major marketing tool for an artist, it should be considered a free product, a giveaway, an enticement. Give it away on your website, place it on the Torrents for P2P, let your fans freely distribute it. It’s all OK. Since most millennial’s feel that music should be free and have lived in a culture where that’s mostly so, don’t fight it. Go with the flow! Just as it was during the last 60 years, the real money in the music business is made elsewhere anyway.
Plus, just because you’re giving it away doesn’t mean that you can’t charge for it either at the same time or sometime in the future. There are numerous cases where sales have actually decreased for an artist’s iTunes tracks when the free tracks have been eliminated.
One is Corey Smith. After 6 years, Corey’s has built his gross revenue to about $4.2 million and free music has been the basic building block of his tribe. You can buy his tracks on iTunes (he’s sold over 400,000 so far), but when his management experimented by taking the free tracks down from his website, his iTunes sales actually went down as well!  The free music allows potential fans to try Corey out. If they email and ask for a song that’s not available for free, he just emails it back to them. He’s tending his tribe!
Of course, you can charge for your music with box sets, compilations, special editions and other value-added offerings. But the initial releases for an artist on any level (except for the already-established star) must be free to build a buzz.
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Follow me on Twitter for daily news and updates on production and the music business.

Check out my Big Picture blog for discussion on common music, engineering and production tips and tricks.

Thursday, February 11, 2010

10 Music Marketing Ideas

Here are 10 music marketing ideas from the Music 3.0 guidebook. It’s easier to sell your music if you add extra value to it, so it helps to think outside the box when it comes to distributing your music. Thanks to Bruce Houghton of the great music blog Hypebot for numbers 7 through 10.

1) Develop a package - This could mean anything from a CD and a vinyl album, to a digital download and album with all alternative mixes, to a boxed set of CD’s or anything in-between (Trent Reznor’s Ghosts I-IV is a great example). The idea is to go beyond just the typical CD and digital offerings.

2) Sequential numbering - Numbering a physical product (for example; "#5 of 1000") gives it the feeling of exclusivity. The product becomes a special edition and a must-have for the true fan.

3) Tie it to merchandise - Offer a physical product that contains the code for a free download of your album. Mos Def was so successful with the T-shirt release of The Ecstatic that Billboard magazine even began counting it as a music release on their charts. Other artists have sold their music via codes on such items as golf balls, bandanas and even canned food!

4) Release a “double-sided” digital single - Rhino Record's digital releases celebrating 60 years of the 45 RPM single set a fine example for this format. For between $1.49 and $1.99, Rhino provided the original hit song, its B side (the flip side of the vinyl record) and the original artwork. You can do the same by providing two songs for price of one - an A and a B side.

5) Release on an old alternative format - We’ve seen some artists (The Decemberists Hazards of Love come to mind) release a vinyl-only physical product to great success. Cheap Trick did it on the old 8-track format from the 60’s, and some bands have even recently released on cassette tape. Releasing on a older format can be good as a publicity tool (as long as everyone else isn’t doing it) and who knows, maybe you can start a trend?

6) Release on a new alternative format - A new alternative format that’s getting some traction is flash memory, or the common USB memory stick. Once again, Trent Reznor met with great viral success by planting unmarked memory sticks in bathrooms at Nine Inch Nail’s concerts, and Sony even released the 25th anniversary of Michael Jackson’s Thriller on the format. Everybody uses these things so you’re bound to get at least a look, which you can’t always say about other formats.

7) Three Sides - Offer a song in an early studio version, the final mix, and then captured live.

8) Radical Mixes - Offer two or three very different mixes of the same song, perhaps even done by the fans.

9) Two Sides of (Your City) - Two different bands each contribute a track to a series chronicling your local scene.

10) “Artist X” Introduces _____ - Add a track by your favorite new artist/band along with one of yours. This is similar to a gig trade-out with another band that many bands use as a way to play in new venues. The idea is that the band you feature will also feature you on their release as well.

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