Showing posts with label Quickhitz. Show all posts
Showing posts with label Quickhitz. Show all posts

Monday, August 17, 2015

Producer/Music Director Rob Shrock On My Latest Inner Circle Podcast

Rob Shrock image
On the latest episode of my Inner Circle Podcast I'm pleased to have musician/producer/music director Rob Shrock as my guest.

Rob has played with a host of A-listers including Stevie Wonder, Elton John, and Adele, and has served as musical director for music legends Burt Bacharach and Dionne Warwick, and for the 72nd Academy Awards Show.

You might also be familiar with Rob through his articles in Keyboard, Electronic Musician, Mix and Remix magazines.

In the intro I discuss the new QuickHitz radio format that many artists so despise, as well as the 6 things I always bring to a session.

Remember that you can find the podcast at BobbyOInnerCircle.com, or either on iTunes or Stitcher.

Thursday, August 13, 2015

A Radio Format That Cuts Songs In Half

Songs cut in half by radio format image
Here's a trend that's either great or horrible, depending upon how you look at it. A few years ago a new radio format appeared with the main purpose of fitting more songs per hour onto the playlist.

How's that done? By editing the songs so they're about 1/2 to 2/3rds their normal release length.

The format is called Quickhitz and its slogan is "twice the music in half the time." It promises to play 24 song per hour as a result.

Some examples include:
Lorde, “Team,” 1:52 (vs. 3:32) 
Clean Bandit, “Never Be,” 2:23 (vs. 3:45) 
Magic!, “Don’t Kill The Magic,” 2:13 (vs. 3:39) 
Iggy Azalea, “Fancy,” 2:07 (vs. 3:16)
JRDN, “Can’t Choose,” 2:20 (vs. 3:57) 
Sam Smith, “Stay With Me,” 2:02 (vs. 2:53)
Marianas Trench, “Pop Music 101,” 2:11 (vs. 4:07)
Zedd. “Clarity,” 2:00 (vs. 3:56)
The format hasn't exactly caught on, and where it's been implemented there's been substantial backlash, although mostly from artists on the playlist and not the public.

If you're an artist you can look at this format two ways - If there are more slots on the playlist, there's more chance for new music to find a place, or, "You're messing with my art by editing it."

As for the latter, that might not be a great argument since radio has had specially edited songs for 50 years to fit in the format.

So while you may not hear Quickhitz on one of your local radio tomorrow, the next time you do hear a station that seems to be playing more songs than normal, you know what you're listening to.

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