When you buy an Adele concert ticket in the UK, you'll get a notice that "The resale of tickets will not be tolerated." Team Adele is taking a zero tolerance approach to scalping that already seems to be having an effect.
According to an article in Music Business Worldwide, about 20% of hot concert tickets end up on the secondary market, often at super inflated prices. In Adele's case, whenever a ticket is offered for resale by a buyer, the sale is immediately canceled as each ticket is individually registered to the fan that bought it.
This has resulted in less than 2% of her tickets now available for resale, and that number of dropping.
The prices appear to be as high as $1,500 over face value, but buyer beware though, as you might be buying a ball of hot air that won't get you into the concert after all.
It should be noted that in many cases the artists themselves are responsible for the high scalping prices, as they hold back a block of tickets and sell directly to the secondary markets for a quick profit. Not so with Adele. to her credit. She's already made plenty of money, and would rather her fans not have to pay more than the asking price to see her live.
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Friday, December 11, 2015
Thursday, December 10, 2015
5 Kickstarter Tips From Amanda Palmer
Amanda took advantage of that social notoriety to launch a highly acclaimed Kickstarter campaign a few years ago where she raised $1.1 million more than her original $100,000 goal.
So just how did she do it? Amanda gave away her secrets on crowdfunding to the Music Awards Blog. Here they are (with my comments afterward):
1) You have to have fans before you can ask them to help you. [This one seems pretty obvious, but is mysteriously overlooked by many artists.]
2) Show, don't tell: HAVE A GOOD VIDEO. [This is a lot harder than it seems. You have to sell your fans on your idea/music and not be obnoxious about it. People get paid a lot of money to do this every day, which suggests its difficulty, so make sure you put a lot of thought into it.]
3) Don't just reward the rich: keep every level rewarding. [If you look at some Kickstarter campaigns, it seems hardly worthwhile to even consider some of the lower pledge levels since you don't get all that much in return. As you get to the higher money pledges, the rewards always become a lot more interesting, but you want to reward those that can only afford the lower levels as well.]
4) Be honest: You'll be amazed at how helpful people really are when you talk straight with them. [Fans naturally want to help. The more honest and open you are, the more help they'll give you. If something feels funny or below board, they'll start to pull back.]
5) No tool is deus ex machina: ANY platform can work. [Don't get stuck on one platform since the name of the game is delivering your music to people, and giving them the chance to help you out by buying something occasionally. Without those last two things, the platform doesn't matter.]
Last but important, Palmer gives the best tip: Your music must be good, you must respect your fans, and pretty much without exception; YOU HAVE TO TOUR.
Another great tip from Amanda comes from a conversation she had with Techdirt in which she states just how she developed that fanbase in the first place:
"I've been tending this bamboo forest of fans for years and years, ever since leaving roadrunner records in 2009. Every person I talk to at a signing, every exchange I have online (sometimes dozens a day), every random music video or art gallery link sent to me by a fan that i curiously follow, every strange bed I've crashed on...all of that real human connecting has led to this moment, where I came back around, asking for direct help with a record. Asking EVERYBODY...And they help because...they KNOW me."Every time I post something about Amanda Palmer I get a lot of negative comments and emails, as she can be a polarizing figure if you're not a fan. The thing is, she's done extremely well for someone who's music is rather niche.
Whether you like her or her music or not, at least take heed of her techniques. She's giving them away for free.
Labels:
Amanda Palmer,
crowdfunding,
kickstarter,
Music Awards
Wednesday, December 9, 2015
A Look At The 7 Types Of Twitter Contests
We all want to increase our fan engagement on social media, and a great way to do it is with contests, since it definitely tweaks the interest of your followers.
Adweek recently ran an article about the 7 types of Twitter contests that can be run, which you'll find below along with my comments on how it applies to your fanbase.
1. Photo Contests - Ask the entrants to post of photo of themselves showing a piece of your merch or a CD, or at one of your shows.
2. Most Creative Or Funny Answer Contest - Ask your followers to submit a creative or funny answer to a question that you tweet. Make sure to include a hashtag as part of the campaign.
3. Retweet To Enter Contest - All your followers have to do is retweet your contest tweet and they'll be entered to win.
4. Follow To Win Contest - This is a bit of cross-promotion across some other social networks, where you let them know that if they follow you on Twitter they're automatically entered into the contest. Please note that you can't ask someone to follow you directly on Twitter as it violates their terms and conditions.
5. First To Answer Contest - This happens really quickly, which means the contest is quick as well. It's simple - ask a question, and whoever tweets the correct answer first wins.
6. Tweet A Hashtag Contest - All the follower has to do to enter is include a hashtag that you create in a tweet.
7. Caption Contest - Ask your followers to tweet a funny or interesting caption for a photo that you tweet.
In all cases, make sure to retweet and thank each entry, then give a winner a lot of Twitter love.
Adweek recently ran an article about the 7 types of Twitter contests that can be run, which you'll find below along with my comments on how it applies to your fanbase.
1. Photo Contests - Ask the entrants to post of photo of themselves showing a piece of your merch or a CD, or at one of your shows.
2. Most Creative Or Funny Answer Contest - Ask your followers to submit a creative or funny answer to a question that you tweet. Make sure to include a hashtag as part of the campaign.
3. Retweet To Enter Contest - All your followers have to do is retweet your contest tweet and they'll be entered to win.
4. Follow To Win Contest - This is a bit of cross-promotion across some other social networks, where you let them know that if they follow you on Twitter they're automatically entered into the contest. Please note that you can't ask someone to follow you directly on Twitter as it violates their terms and conditions.
5. First To Answer Contest - This happens really quickly, which means the contest is quick as well. It's simple - ask a question, and whoever tweets the correct answer first wins.
6. Tweet A Hashtag Contest - All the follower has to do to enter is include a hashtag that you create in a tweet.
7. Caption Contest - Ask your followers to tweet a funny or interesting caption for a photo that you tweet.
In all cases, make sure to retweet and thank each entry, then give a winner a lot of Twitter love.
Tuesday, December 8, 2015
Spotify Still Leads In Paid Streaming Customers
It looks like Spotify is still in the lead in terms of paying customers, if this chart from Statista is any indication.
The chart shows that Spotify has a handy lead over Apple Music at the moment, although it's yet to be seen just how many people buy into the YouTube's new Red service, which could change the balance of power here.
A couple things to keep in mind when looking at this chart.
1. There are only a bit more than 40 million paying customers for streaming at the moment, so there's a lot of room for growth.
2. The chart only looks at Western services, and doesn't include any from Asia, where people have been used to paying for music for some time.
You will find more statistics at Statista
The chart shows that Spotify has a handy lead over Apple Music at the moment, although it's yet to be seen just how many people buy into the YouTube's new Red service, which could change the balance of power here.
A couple things to keep in mind when looking at this chart.
1. There are only a bit more than 40 million paying customers for streaming at the moment, so there's a lot of room for growth.
2. The chart only looks at Western services, and doesn't include any from Asia, where people have been used to paying for music for some time.
You will find more statistics at Statista
Monday, December 7, 2015
Repost Network Founder Jeff Ponchick On My Latest Inner Circle Podcast

Jeff Ponchick, the founder of Repost, is my guest on the podcast this week and he'll discuss how it came about and how it all works.
On the intro I'll discuss the process of purchases fake crowds, and take a look at the latest from the lab - 3D batteries that store more juice, take less time to recharge, and are safer for the environment.
Bar Owners Fighting BMI Over High Fees
Bar owners across the country are getting more up in arms at what they claim is BMI's "take-it-or-leave-it" fee structure and canceling music events as a result, according to an article in phillymag.com.
Every public establishment, whether it's a bar, coffee house or restaurant, has to pay the performing rights organizations (BMI, ASCAP and SESAC) if they want to have music playing, whether it's live, radio, or a jukebox.
The problem is, according to many bar and club owners, that BMI imposes what seems like a random fee that could rise at any time without a cap. If they don't pay, then BMI's deep pocket attorneys take the owner in court, which most bar and club owners just can't afford.
The bars are fighting back though, thanks to their local beverage associations. The Pennsylvania Licensed Beverage and; Tavern Association, The Food and Beverage Association of San Diego, and the Michigan Licensed Beverage Association have all teamed up to create the Fairness In Music Licensing Coalition, which hopes to change the way this portion of the copyright law is implemented.
Right now BMI charges on the number of people that will fit into the club, but if that isn't available they use the establishment's square footage, which almost always doesn't represent the number of people that the place holds.
No one argues that the songwriters and publishers shouldn't be paid, by the way. It's just how they're being charged that's at issue.
The big problem here is that everyone loses when a venue stops having live music, so this is something that both sides should work diligently to sort out.
Every public establishment, whether it's a bar, coffee house or restaurant, has to pay the performing rights organizations (BMI, ASCAP and SESAC) if they want to have music playing, whether it's live, radio, or a jukebox.
The problem is, according to many bar and club owners, that BMI imposes what seems like a random fee that could rise at any time without a cap. If they don't pay, then BMI's deep pocket attorneys take the owner in court, which most bar and club owners just can't afford.
The bars are fighting back though, thanks to their local beverage associations. The Pennsylvania Licensed Beverage and; Tavern Association, The Food and Beverage Association of San Diego, and the Michigan Licensed Beverage Association have all teamed up to create the Fairness In Music Licensing Coalition, which hopes to change the way this portion of the copyright law is implemented.
Right now BMI charges on the number of people that will fit into the club, but if that isn't available they use the establishment's square footage, which almost always doesn't represent the number of people that the place holds.
No one argues that the songwriters and publishers shouldn't be paid, by the way. It's just how they're being charged that's at issue.
The big problem here is that everyone loses when a venue stops having live music, so this is something that both sides should work diligently to sort out.
Friday, December 4, 2015
As Always, Female Buyers Still Fuel Pop Music Sales
While this info is probably no surprise to music execs who’ve inherently known this for decades, the new-found ability to have a greater understanding of an artist’s fans syncs more with the conventional industry wisdom than previously thought.
Take Adele, for instance. First of all, she’s an artist that goes completely against the grain of what the music business currently considers a pop star. She’s a full-figured women who has a relatively small social media footprint and no bombastic big-production stage show, yet she’s been crushing sales records by doing it the old fashioned way - with great songs and performances.
If you look closely at the demographic profile of her fans though, the sales records begin to make perfect sense.
According to the article, a Nielsen study funded by Sony Music found that 62% of Adele’s fans are female, between the ages of 25 and 44 years old, and have children. In other words, they’re soccer moms. What’s more, a majority of them work in the health care industry, drink light beer and Aquafina water, and are 80% more likely than average to read Parents magazine, for whatever that’s worth. To take it a step further, 28% of her fans are in the 50+ age bracket, according to music consumer research company Music Watch. Read more on Forbes.
Labels:
Adele,
Forbes,
Music buyer data,
Music Watch,
Nielsen,
Sony Music,
taylor swift,
Wall Street Journal
Thursday, December 3, 2015
The Evolution Of Online Video
Believe it or not, online video is only about 10 years old, and as we all know, it's come a long way in that time.
Just about everyone has posted a video and many are actually making money doing so. And online video cuts across all age demographics, so even though younger Americans are more prolific, the 50+ year-olds watch more video online than ever before.
Here's a great infographic from SwitcherStudio that shows just how much things have changed since YouTube was created 10 years ago.
Just about everyone has posted a video and many are actually making money doing so. And online video cuts across all age demographics, so even though younger Americans are more prolific, the 50+ year-olds watch more video online than ever before.
Here's a great infographic from SwitcherStudio that shows just how much things have changed since YouTube was created 10 years ago.
Labels:
infographic,
online video,
Switcher Studio,
YouTube
Wednesday, December 2, 2015
Design Your Album Artwork With The TAD App
One of the problems that many artists and bands have is that they're good at creating music, but not so much when it comes to creating the artwork that goes along with it. That shouldn't be a problem any longer though, thanks to the new TAD (Thumbnail Art Design) app, which makes great looking artwork a snap.
TAD allows you to choose from a variety of album cover templates, add photos, logos and text from a large selection of fonts, then add frames, filters and other artwork elements to give your album cover the artistic feel that you're looking for.
You can then export the result at a variety of resolutions to fit whatever platform you're using (iTunes, SoundCloud, Bandcamp, Spotify, etc.) up to a max of 3000 x 3000 pixels. You also get unlimited exports with no watermarks, making TAD one of the best go-to graphic tools an artist can have.
TAD is currently available for free from the iTunes App Store until December 14th, after which it will be $1.99, which is still a bargain. It's designed for iPhone and iPad and requires iOS 7.0 or later.
TAD allows you to choose from a variety of album cover templates, add photos, logos and text from a large selection of fonts, then add frames, filters and other artwork elements to give your album cover the artistic feel that you're looking for.
You can then export the result at a variety of resolutions to fit whatever platform you're using (iTunes, SoundCloud, Bandcamp, Spotify, etc.) up to a max of 3000 x 3000 pixels. You also get unlimited exports with no watermarks, making TAD one of the best go-to graphic tools an artist can have.
TAD is currently available for free from the iTunes App Store until December 14th, after which it will be $1.99, which is still a bargain. It's designed for iPhone and iPad and requires iOS 7.0 or later.
Labels:
album artwork,
graphic design,
TAD,
Thumbnail Art Design
Tuesday, December 1, 2015
Can You Copyright Silence?
The group has taken the pursuit to a new level by posting a version of John Cage's "4:33," which is Cage's conceptual piece that's nothing but 4 minutes and 33 seconds of silence.
SoundCloud removed Detweiler's piece on the basis of copyright infringement (see the graphic on the left), not because of the silence, but because of a mashup of a Justin Bieber song within the piece.
That said, Cage's piece was a performance piece only and never recorded, mostly to bring up the question, "Can you copyright silence?"
If Cage's piece is nothing but silence, is it even possible to copy it in the first place?
Had Detweiler just placed a silent recording online and retitled it something other than "4:33," SoundCloud might not have taken it down, but would the recording then still be infringing on Cage's copyright?
I don't know the answer here, but it does bring up yet another deep philosophical question - "Can total silence be music, and if so, how much of it equals a song, or at least enough to earn a copyright?"
What do you think?
Labels:
copyright infringement,
D.J. Detweiler,
John Cage,
Soundcloud
Monday, November 30, 2015
International ISRC Agency Announces A New US Country Code
Believe it or not, the IRSC code has run out of numbers for the US. Not to worry though, as the International ISRC Agency has come to the rescue with a new country code that will add an additional block of numbers to save the day.
ISRC codes are used to identify different recordings from one another either on a CD, vinyl record or upload to a digital service, and each starts off with a country code. The early ones that used code "US" ran out of numbers long ago, so "QM" was instituted as a replacement for all new codes in the US.
Now that's run out of numbers as well, so the Agency has now introduced "QZ" as the latest country code for the United States.
That being said, the Agency points out in a bulletin that the new country code should be used carefully and the following should be kept in mind:
So basically, don't use the new code unless you've been told to do so.
ISRC codes are used to identify different recordings from one another either on a CD, vinyl record or upload to a digital service, and each starts off with a country code. The early ones that used code "US" ran out of numbers long ago, so "QM" was instituted as a replacement for all new codes in the US.
Now that's run out of numbers as well, so the Agency has now introduced "QZ" as the latest country code for the United States.
That being said, the Agency points out in a bulletin that the new country code should be used carefully and the following should be kept in mind:
- ISRCs that have already been assigned to recordings must not be changed
- Existing registrants should continue to use the "US" or "QM" codes that have already been allocated to them
- New users who are notified that their registrant code is to be used with the ‘QZ’ country code should never to use it with ‘US’ or ‘QM’ since that would result in ISRCs being generated that are a duplicate of previously assigned codes.
So basically, don't use the new code unless you've been told to do so.
Friday, November 27, 2015
101 Mixing Tricks Black Friday Sale
Today only - register for my 101 Mixing Tricks coaching program for only $197.
That's $100 off (33%) off the regular price of $297!
Order It Now!
---> You get all 5 Mixing Tricks modules consisting of:- Module 1: “In Your Face” Interest Creation Mix Tricks including16 tips on balance, panning, automation, EQ and compression that add some amazing interest to any mix.
- Module 2: Mondo Effects Mixing Tricks, including 18 mixing tips about creating great reverb and delay effects that either jump out or blend seamlessly into the track.
- Module 3:Interesting Instrument Mixing Tricks, including 23 mixing tips that specifically cover guitar, bass, and keyboards, which includes how to get the famous Elton John piano sound, or a bass sound that pops through small speakers.
- Module 4: Wicked Cool Drum And Percussion Mixing Tricks, including 28 tips for getting killer drum and percussion sounds.
- Module 5: Bad-Ass Lead And Background Vocal Mixing Tricks, including 16 tips to make that lead and background vocal either pop out of a mix, or blend in just right.
---> Q&A webinars and forums
---> Plus a Bonus Module consisting of all the editing tricks that the top mixers use to prep their tracks for mixing.
---> And I'll throw in my Mixing Engineer's Checklist eBook if you order today.
Find out more about the 101 Mixing Tricks online coaching program at 101mixtricks.com.
Order now because at midnight tonight, the price goes back to $297 forever!
Labels:
101 Mixing Tricks,
audio mixing,
Black Friday
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