There's an old salesman's adage that goes like this - "Never give a customer more than 2 choices." The reason why is that the customer may just get confused, throw up his hands, and walk away with a "never mind."
That could very well be the case today with the huge catalogs offered by all of the streaming services. Millions of choices is actually no choice at all.
Industry consultant Mark Mulligan of MIDiA has some interesting statistics on the subject (shown on the left) where out of a catalog of 25 million songs, only about 5% (1.25 million) is frequented and just 1% (250,000) is played often.
As a result, a $9.95 subscription price just seems like too much to the average music consumer. It's too many choices and they're walking away from a paid subscription.
Mark suggests that niche services would offer much more value to the average fan (the superfan is happy as is). That means a service that only serves a genre of music, like metal, hip-hop or jazz, with the catalog limited in the number of artists, titles and playlists. Of course, a lower price of $3.99 to $4.99 would help it be a winner as well.
That would get rid of all the covers, copies and karaoke versions that just clutter up the streaming app and currently haunt Spotify, Apple Music, Google Play and virtually every other music service.
This is idea who's time has not yet come, as the industry pushback would be enormous, but it's an idea worth considering. Read Mark's full article and his great blog here.
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Friday, September 18, 2015
Too Many Choices Can Be A Bad Thing
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Thursday, September 17, 2015
10 Steps To Being More Creative
Here are some great tips that that have been floating around various blogs for a while about how to get creative and stay that way. Regardless of who created the list, it's still pretty good advice and something I wish I would refer to more often myself. Take a look:
10 Steps To Being More Creative:
1. The best way to get great ideas is to have lots of ideas and throw the bad ones away.
2. Create ideas that are 15 minutes ahead of their time…not light years ahead.
3. Always look for a second right answer.
4. If at first you don’t succeed, take a break.
5. Write down your ideas before you forget them.
6. If everyone says you are wrong, you’re one step ahead. If everyone laughs at you, you’re two steps ahead.
7. The answer to your problem “pre-exists.” You need to ask the right question to reveal the answer.
8. When you ask a dumb question, you get a smart answer.
9. Never solve a problem from its original perspective.
10. Visualize your problem as solved before solving it.
It's easy to let a creative block slow you down, but it doesn't have to. Even one of these ideas can get you those creative juices flowing again.
1. The best way to get great ideas is to have lots of ideas and throw the bad ones away.
2. Create ideas that are 15 minutes ahead of their time…not light years ahead.
3. Always look for a second right answer.
4. If at first you don’t succeed, take a break.
5. Write down your ideas before you forget them.
6. If everyone says you are wrong, you’re one step ahead. If everyone laughs at you, you’re two steps ahead.
7. The answer to your problem “pre-exists.” You need to ask the right question to reveal the answer.
8. When you ask a dumb question, you get a smart answer.
9. Never solve a problem from its original perspective.
10. Visualize your problem as solved before solving it.
It's easy to let a creative block slow you down, but it doesn't have to. Even one of these ideas can get you those creative juices flowing again.
Wednesday, September 16, 2015
Russia Changes Copyright Rules, Then Beats Critics
Russia has long been one of the countries that's been least hospitable to songwriters and artists because of its arcane copyright laws. Piracy and corruption has always been the order of the day there, and it's home to some of the most notorious hackers and torrents.
When the Russian Communications Ministry announced a new proposal aimed at changing the existing system of copyright royalty collection, it didn't get the response from the Russian music industry that it expected, according to an article in Billboard.
Currently, a single Russian agency can collect royalties without having the rights holder sign a contract. Obviously, that's a practice ripe for plundering since it enabled "insufficient transparency" in accounting.
The new proposal requires contracts to be signed between the collections agency and the copyright holder, and it enables other collection societies besides the state appointed one to enter the market. Obviously this is a step in the right direction.
That didn't sit well with the Russian music establishment though. After the announcement, Andrei Krichevsky, head of the state-run Melodiya label, was quoted in a Russian newspaper criticizing the proposal, stating the current system was working well and very efficient. He was then attacked and beaten after leaving his office in Moscow.
For once, this actually seems like the Russian government is coming down on the side of the little guy, although beating its critics is a throwback to the old KGB days. One wonders if this new law will actually change anything.
When the Russian Communications Ministry announced a new proposal aimed at changing the existing system of copyright royalty collection, it didn't get the response from the Russian music industry that it expected, according to an article in Billboard.
Currently, a single Russian agency can collect royalties without having the rights holder sign a contract. Obviously, that's a practice ripe for plundering since it enabled "insufficient transparency" in accounting.
The new proposal requires contracts to be signed between the collections agency and the copyright holder, and it enables other collection societies besides the state appointed one to enter the market. Obviously this is a step in the right direction.
That didn't sit well with the Russian music establishment though. After the announcement, Andrei Krichevsky, head of the state-run Melodiya label, was quoted in a Russian newspaper criticizing the proposal, stating the current system was working well and very efficient. He was then attacked and beaten after leaving his office in Moscow.
For once, this actually seems like the Russian government is coming down on the side of the little guy, although beating its critics is a throwback to the old KGB days. One wonders if this new law will actually change anything.
Tuesday, September 15, 2015
Get Your Metadata Right
One of the major reasons why artists often don't get paid is because of missing metadata from their songs.
No matter if you're submitting to an aggregator like Tunecore for digital distribution, directly to a digital distributor like Soundcloud, or even a music supervisor for consideration, it's imperative to have the following metatags filled in.
1. Name(s) of artist(s)
2. Names(s) of composers
3. Name(s) of performers
4. Song Title
5. Album title (if any)
6. Label
7. Publisher
8. Year Released
9. Track Number
10. Genre
11. Producer
12. Contact (yours/management)
13. Performing Rights Society Affiliation (ASCAP, BMI, etc.)
14. Mood
15. BPM
No matter if you're submitting to an aggregator like Tunecore for digital distribution, directly to a digital distributor like Soundcloud, or even a music supervisor for consideration, it's imperative to have the following metatags filled in.
1. Name(s) of artist(s)
2. Names(s) of composers
3. Name(s) of performers
4. Song Title
5. Album title (if any)
6. Label
7. Publisher
8. Year Released
9. Track Number
10. Genre
11. Producer
12. Contact (yours/management)
13. Performing Rights Society Affiliation (ASCAP, BMI, etc.)
14. Mood
15. BPM
Mood and BPM might seem incidental, but they're really important for music libraries and music supervisors, so take the time and fill them in.
Yes, filling in all the metadata takes some work, but not only does it ensure you'll more easily get paid, but it will give your song a better shot at being placed as well.
Monday, September 14, 2015
Deezer US CEO Tyler Goldman On My Latest Inner Circle Podcast
You may not be hip to the streaming network Deezer yet, but it's available in 189 countries and has an impressive 6 million paid subscribers. Deezer's US CEO Tyler Goldman joins me for a conversation about the what's happening in streaming music now and what might happen down the road.
In the intro I'll also take a look at why the "Happy Birthday" song is not in the public domain and the new evidence that might finally get it there, as well as the things you should know if you're going to book your private studio out to other people.
Also, I'm happy to announce that the podcast has been selected as one of the Top 10 music industry podcasts by Indie Connect.
Remember that you can find the podcast at BobbyOInnerCircle.com, or either on iTunes or Stitcher.
In the intro I'll also take a look at why the "Happy Birthday" song is not in the public domain and the new evidence that might finally get it there, as well as the things you should know if you're going to book your private studio out to other people.
Also, I'm happy to announce that the podcast has been selected as one of the Top 10 music industry podcasts by Indie Connect.
A UK Prog-Rock Chart Launches Way Too Late

While you'd expect pro-rock stalwarts like Roger Waters and Pink Floyd to have slots, it's surprising the number of 21st Century acts that make up the top 10, with Tame Impala taking the top spot.
Here's the first version of the chart.
Official Progressive Albums Chart - Top 10
- 1.Tame Impala - Currents
- 2.Muse - Drones
- 3.Roger Waters - Amused To Death
- 4.Joe Satriani - Shockwave Supernova
- 5.Public Service Broadcasting - The Race For Space
- 6.Faith No More - Sol Invictus
- 7.Symphony X - Underworld
- 8.Pink Floyd - The Endless River
- 9.Tim Bowness - Stupid Things That Mean The World
- 10.Nightwish - Endless Forms Most Beautiful
© Official Charts Company 2015
Friday, September 11, 2015
Could This App Be The Instagram Of Music?
Three undergrads from Tufts University have launched a new app that's catching on like wildfire. It's called Cymbal, and many have called it the "Instagram of Music" because of its less-is-more user interface.
Cymbal describes itself as "music powered by friends, not algorithms." That's because users are allowed to share just one song at a time along with album art.
The whole idea is that the user gets to post that one song that's most important in their life at that moment.
Like Instagram, Cymbal uses a home feed, personal profile, followers, likes, comments, hashtags and tags.
You can share tracks from Soundcloud or Spotify, and since it was created from the ground up as an iOS app (an Android version is coming), it's perfectly at home where more and more do their listening - via the phone.
There's less than a million users at the moment, but the app seems to be coming on strong, so look out for more about Cymbal in the future.
Cymbal describes itself as "music powered by friends, not algorithms." That's because users are allowed to share just one song at a time along with album art.
The whole idea is that the user gets to post that one song that's most important in their life at that moment.
Like Instagram, Cymbal uses a home feed, personal profile, followers, likes, comments, hashtags and tags.
You can share tracks from Soundcloud or Spotify, and since it was created from the ground up as an iOS app (an Android version is coming), it's perfectly at home where more and more do their listening - via the phone.
There's less than a million users at the moment, but the app seems to be coming on strong, so look out for more about Cymbal in the future.
Thursday, September 10, 2015
Artists Not Buying In To Apple Connect
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3 Artists on Apple Music Connect |
Music Alley took a close look at Connect and came up with a number of interesting facts. For instance:
- Artists that do post only post weekly, if that.
- Many posts are just recycled Twitter, Instagram or Facebook posts.
- Social maven Taylor Swift (who's seemingly everywhere) doesn't even have a Connect presence yet.
Apple doesn't do social well and it looks like Connect is headed the way of Ping (if you remember that). One problem is that artists and their social media managers have their hands full with too many options already. They don't need another one.Shakira (2)Eminem (6)Rihanna (not on Connect)Michael Jackson (not on Connect)Bob Marley (1)Justin Bieber (6)Taylor Swift (not on Connect)Katy Perry (not on Connect)Beyoncé (not on Connect)Linkin Park (10)Lady Gaga (11)Adele (not on Connect)Pitbull (22)Bruno Mars (not on Connect)Selena Gomez (6)David Guetta (12)Avril Lavigne (3)Akon (not on Connect)Lil Wayne (not on Connect)Enrique Iglesias (9)
Wednesday, September 9, 2015
Record Label In A Box
I don't know if it's a good idea or not to start your own label, but if do and you're in the UK, then Record Label In A Box from the music aggregator Ditto Music could be for you.
The Basic edition goes for £99 ($152), the Premium edition is £249 ($383), and the Enterprise version costs a whopping £3499 ($5,378). The latter features a 12 month mentoring, one-on-one career building, and a full PR and marketing campaign and a branded website.
You can check it out on the Ditto website, but just remember that most of what they show you applies to the UK.
The Basic edition goes for £99 ($152), the Premium edition is £249 ($383), and the Enterprise version costs a whopping £3499 ($5,378). The latter features a 12 month mentoring, one-on-one career building, and a full PR and marketing campaign and a branded website.
You can check it out on the Ditto website, but just remember that most of what they show you applies to the UK.
Tuesday, September 8, 2015
Mastering Engineer Colin Leonard On My Latest Inner Circle Podcast
This week's guest on my Inner Circle Podcast is mastering engineer Colin Leonard of Sing Mastering, who's become the go-to mastering guy for uber-mixers like Dave Pensado and Phil Tan. Colin describes how he got into mastering, his unusual and proprietary signal path, and his overall mastering philosophy.
On the intro we'll look at what's becoming known as "Playola," or the practice of paying to be included on an influential playlist, as well as maybe getting an answer to the perennial question "What is the best driving music?".
Also, I'm happy to announce that the podcast has been selected as one of the Top 10 music industry podcasts by Indie Connect.
On the intro we'll look at what's becoming known as "Playola," or the practice of paying to be included on an influential playlist, as well as maybe getting an answer to the perennial question "What is the best driving music?".
Also, I'm happy to announce that the podcast has been selected as one of the Top 10 music industry podcasts by Indie Connect.
Pinning Your Tweets For More Attention
There are times when you post a tweet that's so important that you want as many of your followers to see it as possible for as long as possible. There's a way to take that tweet and push it to the top of your profile where it will stay even after subsequent tweets. This is known as "pinning" a tweet.
Here's how to do it.
1. Select the tweet that you would like to pin.
2. Click the three dots (...) next to "View Tweet Activity" beneath your tweet.
3. Click "Pin to your profile post" in the dialog box.
Refresh your screen to make sure that the pin appears at the top of your profile.
Pinned tweets are not reposted; they're just pushed to the top and will stay there until you unpin them.
What should you pin? How about:
Here's how to do it.
1. Select the tweet that you would like to pin.
2. Click the three dots (...) next to "View Tweet Activity" beneath your tweet.
3. Click "Pin to your profile post" in the dialog box.
Refresh your screen to make sure that the pin appears at the top of your profile.
Pinned tweets are not reposted; they're just pushed to the top and will stay there until you unpin them.
What should you pin? How about:
- a tweet about a new release or video
- a tweet about an upcoming gig
- a question that you've asked your followers
- a great photo
- an old tweet that you'd like to revive without tweeting again
Monday, September 7, 2015
Google Trying To Finally Kill Flash
It hasn't been a good idea to use Flash animation on your website for a long time, and it looks like Google is finally trying to put the final nail in the coffin.
Goggle's Chrome browser now automatically pauses any web ads that use Flash. Ads that use the newer HTML5 will continue to work as always, as that's the favored format.
It's been recommended here for quite some time that Flash wasn't something that you wanted to use. First of all, anything iOS doesn't recognize it, so all those iPhone and iPad users never were able to access it.
From a website design perspective, Flash animation died a long time ago. Opening splash pages with lots of animation used to be all the rage but now look very last century.
Worse of all, Flash is a battery hog that compromises the security of your operating system. It's just not cut out for our new mobile world.
That said, advertisers still continue to favor Flash because most of the creative people at ad agencies everywhere grew with Adobe Creative Suite, of which Flash is a part of. HTML5 is more flexible, but it's not as designer friendly.
It looks like this move by Google will now force agency designers to make the switch.
So rejoice that there's one less vestige of the online past as Flash slowly passes into the night.
Goggle's Chrome browser now automatically pauses any web ads that use Flash. Ads that use the newer HTML5 will continue to work as always, as that's the favored format.
It's been recommended here for quite some time that Flash wasn't something that you wanted to use. First of all, anything iOS doesn't recognize it, so all those iPhone and iPad users never were able to access it.
From a website design perspective, Flash animation died a long time ago. Opening splash pages with lots of animation used to be all the rage but now look very last century.
Worse of all, Flash is a battery hog that compromises the security of your operating system. It's just not cut out for our new mobile world.
That said, advertisers still continue to favor Flash because most of the creative people at ad agencies everywhere grew with Adobe Creative Suite, of which Flash is a part of. HTML5 is more flexible, but it's not as designer friendly.
It looks like this move by Google will now force agency designers to make the switch.
So rejoice that there's one less vestige of the online past as Flash slowly passes into the night.
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