Thursday, October 9, 2014

5 Questions Before Hiring A Music Publicist

Music Publicity image
Many times an artist or band looks for a music publicist to raise their visibility. Many have a less than pleasant experience mostly because they didn't do their homework beforehand. Janelle Rogers of Green Light Go Publicity wrote a great post on Music Think Tank regarding 5 questions to ask a publicist before you make the hire.

Surprisingly, she says they her company turns down 19 out of 20 artists that come to them, and just work with the acts that they really love. Needless to say, that's not the way it works in most of the industry. Here's the 5 questions that Janelle suggests you ask that publicist before you commit to her.

1. How many clients do you have on your roster? If they have too many clients, they might not have enough time to dedicate to you.

2. Where have you received coverage? This is simple. It tells you how good they are at their job.

3. What artists have you worked with at the same level and in the same genre? It helps if they have some experience in your genre, and know how to work within your level of the business.

4. Where do you think you can get coverage for us? This will tell you if they have a clue as to how to handle you.

5. How often do you send reports? Does that include who you've pitched? You want to see what you're getting for your money.

This all makes a lot of sense as you don't want to pay good money for a service that can only offer minimal help. Janelle provides a lot more information, and that's a good reason why you should read her article.
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Wednesday, October 8, 2014

3 Reasons Why Japan Still Buys CDs

While most of the world is rapidly changing to music streaming there is still one market where where CDs reign supreme - Japan. Indeed the round plastic discs still account for 85% of sales in Japan, while in most of the world the figure hovers around 40%.

That figure, along with pricing restrictions that keep the price of CDs above $20 each, has resulted in Japan being second in total music sales just behind the much larger US. In fact, Tower Records, which closed its stores in the US in 2006, still has 85 outlets there and does nearly $500 million a year in revenue!

But why are CDs still so popular there? There are actually 3 reasons:

1. The Japanese consumer relishes collectibles, which a CD can be classified as. Greatest Hits releases do especially well there because of this fact.

2. Digital music services, especially streaming services, haven't been able to obtain music licenses because Japan's labyrinth of copyrights makes it more difficult than other countries. There's also a reluctance on behalf of the record labels and licensing bodies to grant licenses.

3. The existing digital services don't have the latest hits. Even iTunes doesn't have many of the hits from its competitor Sony.

All that being said, Japan's total music sales were still down by more than 17% last year, and this year doesn't look to be much better, which does not bode well for the music industry in general. While the rest of the world is evolving, Japan still wallows in the past.
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Tuesday, October 7, 2014

The Court Decision That Could Alter Royalty Payments

Flo and Eddie image
Flo & Eddie/The Turtles
A US Federal Court has ruled that SiriusXM violated The Turtles pre-1972 copyright by playing their music without either licensing it or paying performance royalties. The is a big decision that may have far reaching consequences for both classic artists, record labels and digital music services.

Right now digital music services like Pandora and SiriusXM don't pay royalties on any song that existed before 1972 because they argue that the master copyright law didn't exist before then. Broadcasters now only pay royalties to publishers but digital services must also pay the copyright holder when a post-1972 song is played.

The payment to artists and labels is estimated to be at least $60 million before punitive damages. That said, the ruling was made in California and therefore only effects California, so this may prove to be only the first battle in a long war. Several other lawsuits by the major labels and Soundexchange against digital broadcasters are also pending.

While the result may be ominous for the affected digital services, it will have little direct effect on consumers. This may have an eventual effect on broadcast radio though, which has managed to skirt the issue of paying anyone but publishers thanks to strong lobbying on the part of the NAB. With the precedent now set, a new attempt to have radio pay artists when their songs are played might gain some traction in Congress.

The suit was brought by Flo & Eddie (Howard Kaylan and Mark Volman), the two main players of the 60s hit makers The Turtles.
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Monday, October 6, 2014

Wu-Tang Clan Puts Album Inside Speaker


Wu-Tang Clan Boombotix REX speaker imageArtists and managers everywhere continue to think outside the box in order to sell physical product. In the latest case of "Let's try something different," the latest Wu-Tang Clan's album will be sold inside a portable speaker.

The rap group has partnered with speaker company Boombotix to embed 8 songs from their latest album A Better Tomorrow plus an exclusive bonus track inside a custom REX wearable speaker. The speaker is also capable of a Bluetooth connection with any phone or tablet.

There will be 1,000 of these packages available that will be sold through Boombotix's site, with another 2,000 being sold in Zumiez stores. The price is $79.99.

I don't know if this is the way of the future, but you have to hand it to them for trying something different in an effort to sell more product.
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Sunday, October 5, 2014

5 Reasons Why A Music Attorney Won't Shop Your Demo

Music Demo image
Music lawyers have been the key to getting a record deal for years, as they've been a trusted source by the record labels. Most lawyers will agree to shop a demo, as it can mean more business for them if the project is picked up. It's not an automatic though, and there are 10 reasons why, according to an article on Hypebot by music attorney Mita Carriman of the Carriman Law Group. It's definitely a post worth reading in its entirety and you should follow the link to do that, but I thought I'd paraphrase some of the reasons here as well.

1. You cold-called the attorney. That could work, but usually an introduction from a mutual friend helps speed the process. Even better, pay to engage the attorney to shop the recordings.

2. Your tracks aren't ready. They're not fully produced or don't show you in the best light, or the attorney just doesn't feel good about showing them yet. Don't fret, just go back and either rerecord or polish what you have, depending upon the feedback you get.

3. You're using uncleared samples. Lawyers are very keen on having all the paperwork in order before moving forward with anything. Get this done first, or pay the attorney to do it for you.

4. You don't have an online presence. You're not real as an artist or band until there's at least something online to point to. Record labels sign an act for their audience or potential audience, not their music, so the more views or followers you have, the more compelling the case to sign you is.

5. The attorney doesn't like your music. They're putting their reputation on the line by showing your music to someone, and they're just not going to do that if they don't like your material.

Read Mita Carriman's article called 10 Reasons Why A Music Attorney Won't Shop Your Demo for a first person perspective.
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Friday, October 3, 2014

Tunecore Publishing President Jamie Purpora On The Latest Inner Circle Podacst

Bobby Owsinski's Inner Circle Podcast
Jamie Purpora, Tunecore's president of publishing, is my guest on my latest Inner Circle podcast. We discuss the merits of  Tunecore publishing versus other publishers, foreign rights, and more. Jamie's a fountain of wisdom and experience when it comes to publishing, so there's a lot of great information to soak up.

In the intro, I'll discuss why more people are going into tech than music these days, as well as Guitar Center's labor dispute with employees.  

Remember that you can find the podcast either on iTunes or at BobbyOInnerCircle.com, and now also on Stitcher
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Thursday, October 2, 2014

3 Steps To Creating An Online Contest

Contests image
One of the great things for an artist about being online is that there are so many options for promotion. A great one is launching a contest. Here's an excerpt from my Social Media Promotion For Musicians book that outlines general contest basics.

"Artists, bands and musicians are always looking for ways to increase their fan engagement and contests can be a good way to do that. A white paper from Launchpad6, a site that specializes in conducting all kinds of online contests, had a number of suggestions regarding conducting a successful one with video. The following three ideas from the paper are worth considering.

1. You need a premise. A premise is the basic idea of the contest itself. Here are some ideas to ask yourself first:
  • Is content for the contest readily available or easily created?
  • Is that content interesting?
  • Is the content shareable?
  • Is there enough passion for the idea?
  • Is an element of voyeurism involved?
2. You need a prize. Cash is always king when it comes to attention, but sometimes smaller more niche prizes can be more alluring to your target audience. Ask yourself the following questions:
  • Does the prize appeal to my target market?
  • Will my market find the prize valuable?
  • Are there any other smaller prizes that I can offer?
3. You need promotion. Your contest won’t get any traction if it’s not promoted and you get people to enter. Here are a few ideas to consider:
  • Create a video for the contest and seed it around the web
  • List your contest in directory sites
  • Don’t forget social media
  • Try partnering with a blog or industry publication or anything that has more reach than you do."
Be aware that many platforms have very strict rules about contests, so be sure to read them before you launch. In most cases, it's much easier to use a third party plugin to help even though you may have to pay for it.

You can read additional excerpts from Social Media Promotion For Musicians and my other books on the excerpt section of bobbyowsinski.com.
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Wednesday, October 1, 2014

Digital Music Revenue Is Now 70% Of Total US Sales

Physical music product is quickly falling by the wayside as digital music revenue is now 70% of total US music sales, according to the latest mid-year figures from the RIAA and shown in this Statista infographic.

While vinyl is still on the rise (up 41% this year so far), CD sales continue to fall (down 19.1%). What's interesting is that music downloads have remained fairly constant, but streaming adoption is happening at a fast clip, as seen in the following chart.

Digital Music Revenues In US

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Tuesday, September 30, 2014

Radiohead’s Thom Yorke Partners With The Enemy

Radiohead singer Thom Yorke
Our digital music world is continually evolving and both artists and record labels are constantly forced to try something new in an effort to maximize revenue, as evidenced by the latest U2 album giveaway on iTunes. Thom Yorke, the lead singer of the band Radiohead, has a very high global profile and a track record of going against established industry business practices.

That’s why his latest BitTorrent Bundle solo release, Tomorrow’s Modern Boxes, is such an interesting test case. If it sells well (and it appears that way so far), many within the industry look to it as a model for what the album release of the future may look like.

Of course, BitTorrent has been widely known as a primary source of content piracy in the past, a reputation that the company hopes it can finally shrug with it’s Bundles format, which puts content owners firmly and securely in control.

A Bundle allows music artists, authors, and film makers to create a digital package that allows a combination of free and “gated” (paid) content. It’s actually a single downloadable file that can contain audio, text, graphic or video assets in any combination. Each Bundle can be unlocked via a payment, Facebook Like or Tweet or anything else the content owner chooses. 

Bundles were first introduced in May of 2013, and since then more than 120 million have been downloaded. There have only been a few high profile artists like Yorke though. Madonna released her Secretprojectrevolution movie on the platform as did Moby with his Innocents album. Of course, BitTorrent hopes that more high profile artists and groups will now consider Bundles as a distribution alternative on the heels of Yorke’s release. Read more on Forbes.
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Urban Outfitters Is Now The Biggest Vinyl Retailer

Urban Outfitters image
We all know about the resurgence of vinyl in the US, but it's interesting that the demographics don't skew to the older "classic" album buyer who grew up with them. In fact, it's the younger music consumer that's pushing the format's comeback.

This is now outlined by the fact that the bastion of hipsterdom, Urban Outfitters, recently announced that it is the now the world's biggest seller of vinyl records. The company is also a main retailer for turntables as well.

Although Urban Outfitters is the largest brick and mortar retailer with 8.1% of the market, Amazon is actually the largest vinyl dealer in the US at 12.3%.

Urban Outfitters actually uses a very innovative way for stocking vinyl product. The company rents out it shelves to more than 100 vendors. The company then provides its 288 stores with an online list of inventory that they can then stock on consignment.

All that said, only 6.1 million vinyl albums were sold in total in the US in 2013, which is a drop in the bucket when it comes to the industry's bottom line. That number should be surpassed this year, as the year to date total is already at 5.9 million according to Billboard.
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Sunday, September 28, 2014

How Students Listen To Spotify

College student listening
Spotify did an interesting survey to discover how students listened to its network in 40 colleges across the United States. There are distinct listening trends at almost every school, but here's some of what they found.

  • Peak listening time is at 4PM for every school.
  • Virginia Polytech, University of Minnesota, University of Georgia and University of Alabama play the happiest songs.
  • Texas A&M follows musical trends more than any other school.
  • Ohio State listens to the most classical music.
  • University of Alabama listens to country music at twice the rate of other schools.
  • University of Pennsylvania, University of Florida, and University of Minnesota Twin Cities listen to the most latin music.
  • University of Washington listens to the longest, most instrumental music.
  • NYU students get an hours less sleep than everywhere else and listen to more slowcore and hipster playlists.

What does this mean? You can use the info to target a particular school or area if they tend to like the type of music you play.

You can discover more from this great study, including the most popular artists by school, by going to How Students Listen.
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Thursday, September 25, 2014

Album Sales Hit A New Low

Album sales
The album is definitely dropping in popularity, as last week Nielsen SoundScan announced that the sales numbers reached their lowest levels since the company began tracking data in 1991.

Only 3.97 million albums were tallied, the first time that figure has fallen below the 4 million mark ever. Considering that 3 albums debuted in the top 10 and averaged only 31,000 units doesn't bode well for the format, as more and more music lovers abandon the album and move to streaming.

CD sales are down 19.2% from last year at this time, with the big retailers taking an even bigger hit. Mass merchants have fallen 23% while the big chain stores have fallen more than 25%. You can see that it's only a matter of time before there will be no longer be an album brick and mortar retail business.

With this kind of data, you'd think that artists and record labels alike would begin to change their business model and concentrate more on singles, but that doesn't seem to be the case. Artists still seem to think that it's still an album world and spend way too much time and money in that area.

But the evidence keeps on clearly pointing to the fact that consumers don't feel the need to purchase an album or even purchase music at all. And it looks like the trend will only continue.

Maybe the new Apple/U2 album format (whatever it is) will make a difference, but that's still at least 18 months away. By then, after the world becomes very comfortable with streaming, it might be too late.
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